Breakfast at Tiffany’s celebrated its 50th anniversary this month, which is the reason every article this week has been about the famous film. Based on the novella of the same name by Truman Capote, Breakfast at Tiffany’s tells the story of a seemingly glamorous party girl named Holly Golightly in New York City and her new neighbor, Paul Varjak, who she nicknames “Fred.” While the book is certainly different than the film (Holly is blonde, Fred is gay – as made famous on an episode of Seinfeld), but the story of a lost Manhattan party girl laid the groundwork for many famous pieces of fiction with the same premise including, most notably, Sex and the City. Directed by Blake Edwards, both he and Truman Capote preferred Marilyn Monroe for the lead role, but her agent thought it was a bad idea. (We personally think the movie would have lost much of its charm if Marilyn was the star – while playing a well-dressed call girl is all Miss Monroe actually was, we feel it just would have been a sad commentary on the troubled actress’s real life. Plus, we’ve always preferred the elegant brunette over the blonde bombshell…) Audrey Hepburn is the epitome of taste and elegance, so it made more sense to have her play against type in this romance. While Holly Golightly seems like she’s always having a good time, she’s actually dying inside – and beautiful clothing is the perfect disguise. The costume supervisor on the film was Edith Head – the 8-time Academy Award winning film costumer who outfitted Audrey in many of her movies. The majority of Holly Golightly’s wardrobe was designed by the legendary Hubert de Givenchy. The French designer and Hepburn met in their early 20s while they both worked on the 1953 film Sabrina (another Audrey flick with fantastic fashion). The film went on to win an Academy Award for costume design, for which Edith Head received all the credit for (which also kind of happened on this set…), which Hepburn was not happy about and swore would never happen again. It’s no surprise the two became lifelong friends, and Audrey became the elegant designer’s #1 muse. (Fun Fact: Givenchy’s first perfume, L’Interdit, which means “forbidden” was made for Audrey!) His gorgeous creations included the pink cocktail dress, orange coat, and several little black dresses. Although Coco Chanel invented the LBD, the sensation of this movie and the stir it created with its opening scene, the little black dress became de rigueur for cocktail parties everywhere. After 50 years, it still constantly makes it onto the fashion “must-have” lists of taste gurus, fashion designers, magazine editors, etiquette experts and even romance websites. The costumers were quite clever in reusing Holly’s clothing throughout the film. As a struggling city girl, it would make sense that she would have limited options, but each piece she wears again usually looks different do to her accessory changes. For example, her little black dresses are seen several times, but she is usually sporting different accents – one LBD appears in the beginning complemented with a big black hat when she’s on her way to visit Sing Sing; it reappears again when she’s wearing a small black hat with a white muff and feathers attached; again at her party she highlights the outfit with sparkly earrings and a huge statement necklace; and another time she comes home from a date with a long, white silk scarf flowing from her neck in the same LBD. Holly’s famous Burberry trench coat also makes an appearance twice. Miss Golightly’s penny-pinching shows up in her apartment, too. While there’s hardly any furniture, the single piece she does have in the living room is actually half a bathtub with some decorative throw pillows. (Perhaps a metaphor for Holly herself? A damaged piece searching for her other half that’s easily disguised with pretty accessories?) Although Holly’s wardrobe is supposed to be “low-end,” she still looks damn good in every scene. Even her nightwear is even super glamorous! A pretty peach robe, tux shirt and eye mask with half-up, half-down hair and she still looks gorgeous! Her accessories, including Oliver Goldsmith sunglasses, long black gloves, strands of white pearls and huge black hats, are legendary and have been associated with the film ever since. If you’re donning one of those items, people inevitably ask you if you’re channeling Audrey. (Well, of course we are!) And even though the movie surrounds and constantly describes the allure of the most famous jewelry store on the planet (Tiffany & Co.), Holly cannot afford anything there. She famously states, “I think it would be tacky to wear diamonds before I’m 40.” It’s not age – it’s probably due to the fact she can’t buy them herself, and no man has ever bought her real jewelry. The only piece she does receive is a Cracker Jack ring from Paul, but Tiffany’s does engrave it for them! ❤ In short, Breakfast at Tiffany’s has one epic wardrobe that still influences fashion half a century later. It cemented Audrey Hepburn as a style icon and made several chic items as famous as the movie itself! Its influence on costume design and classic style is legendary. It’s theSkinnyStiletto‘s all-time favorite film wardrobe, and it forever changed the look of women everywhere. Just as Paul said, “You’re a stylish girl, can’t we end this stylishly?” Yes, we can.
October 15, 2011
What About Breakfast at Tiffany’s?
This entry was posted on Saturday, October 15th, 2011 at 11:55 pm and tagged with Audrey Hepburn, Breakfast at Tiffany's, Burberry, costume design, Edith Head, fashion, Givenchy, Holly Golightly, Hubert de Givenchy, LBD, little black dress, Oliver Goldsmith, style and posted in Fashion Icons, Movie Wardrobes. You can follow any responses to this entry through the RSS 2.0 feed.
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